Showing posts with label 40 years of Sholay. Show all posts
Showing posts with label 40 years of Sholay. Show all posts

Saturday, February 7, 2015

Sholay 2D & Sholay 3D: Set for Historical March 2015 Release in Pakistan


If all goes well, Sholay fans in Pakistan will finally get to see the film as it is best experienced - on the 70mm screen. Nadeem Mandviwalla of Mandviwalla Entertainment, a leading Pakistani distributor and exhibitor, plans to release the film in 2D and 3D. The expected release date is March 20, 2015. 

The film will have a limited release at select theaters. Mandviwalla described Sholay with terms such as 'unique' and 'timeless classic'."The magic of watching this movie in theaters is awesome," he added. 

As press reports suggest, most Pakistanis have seen pirated versions of the movie, none has had the fortune of viewing Sholay in a theater. For sheer fun and entertainment, we do hope the fans get their share of cinema. 

We may not be singing yeh dosti yet, but surely you can't grudge Sholay to come between us, would you? Awaiting more news on the historical release. 

Saturday, November 23, 2013

Sholay Specials: Ramesh Sippy on 40 years of Sholay


It was on October 2, 1973 that Sholay was officially launched and exactly 40 years later Ramesh Sippy was interviewed at Ramanagaram, Karnataka by The Indian Express Editor-in-Chief Shekhar Gupta. Ramanagaram was where most of Sholay was shot. Here are some snippets from the interview, as we chronicle parts of what Ramesh Sippy said:

On Sholay remake, sequel, parodies and 3D
...I think a classic like Sholay should be where it is. In 40 years, it's still remembered. I know, you can make a lot of money doing so. But what is the point in making a film which has still not been forgotten. Somehow, it doesn't feel right.
I don't think there's anything wrong in people remaking or doing sequels or all that, but somehow I don't think that Sholay is a film that should be touched. 

On Sanjeev Kumar dying young 
It is true. It was, unfortunately, a family thing. Everyone in his family had died young. He was, of course, another great guy, who loved his work and was superb. 

Why Ramanagaram?  
All the films that had been made on dacoity and banditry before this were made in the Chambal valley - be it Ganga Jumna, Mujhe Jeene Do, even the Raj Khosla film, Mera Gaon Mera Desh
I felt, let's make it different. Ram Yedekar was our art director. Being influenced by western cinema, we talked about those big boulders and things like that. He said,"I think I know just the place." He came here, took a lot of photographs and showed them to us later.

On Gabbar
Although I would definitely say that every aspect of the film went into the making it an all-time classic, it cannot be denied that the iconic figure in the film has to be Gabbar. His dialogues sold more than the music of the film. People were mesmerised.

On the Sholay phenomenon 
It's almost impossible to explain what a phenomenon is. It happens. The entire team of Sholay went about trying to do their best. But for it to have turned into this...we could not have imagined it at that time. Today's generation is as much aware of Sholay, as of the other films around them.